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They are seeking a Vice President Employee Engagement and . She was injured in a car accident en route to New York City, but Atlantic supported her for nine months and then signed her. 2. The soul/country & western crossover predated Ray Charles' similar venture by more than 6 months. Atlantic City, NJ. Atlantic said it was too early in Blunt's career, and it did not want him to be a one-hit wonder. 1 in the UK and became a multi-million seller. Ertegun knew Stick's younger brother Brownie McGhee, with whom Stick happened to be staying, so he contacted the McGhee brothers and re-recorded the song. 1633 Broadway Fl 10, New York, New York, 10019, United States. He saw something more in there that wasn't coming out before. The Head of Enabling Services domains includes but is not limited to Finance Systems, Supply Chain Systems, Human Capital Management Systems, Legal systems, and other miscellaneous applications. After buying Elektra Records and its sister label Nonesuch Records in 1970, Kinney combined the operations of all of its record labels under a new holding company, WEA, and also known as Warner Music Group. After surprisingly failing their audition for Apple Records, thanks to Ertegun's intervention and intense negotiations with David Geffen, who represented Crosby and Nash, as well as Stills,[75] they ultimately signed with Atlantic, who gave them virtually complete freedom to record their first album. [27] By the late 1950s stereo LPs and turntables were being introduced. "So Long", her first record for the label, was recorded with Eddie Condon's band on May 25, 1949. Bill Haley & His Comets's version reached No. Over the next four years he was instrumental in signing a string of major acts including Foreigner, AC/DC, Peter Gabriel and Phil Collins. Atlantic Recording Corporation (simply known as Atlantic Records) is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. [15], In late 1947, James Petrillo, head of the American Federation of Musicians, announced an indefinite ban on all recording activities by union musicians, and this came into effect on January 1, 1948. Their single "Money Honey" became the biggest R&B hit of the year. [9] When interviewed in 2009, she attributed her reputation to the company's chronic cash-flow shortage: " most of the problems we had with artists were that they wanted advances, and that was very difficult for us we were undercapitalized for a long time. As Executive Vice President of the label since 2013, she has been the driving force behind radio hits by Meek Mill, Cardi B, Bruno Mars, Lil Uzi Vert and Gucci Mane to name a few. 1989 - Tommy Mottola, who took over Sony Music, offered Greenberg a label in California. Jerry L. Greenberg is an American music executive, who at 32, was the youngest president of any major record company in the recording industry and received that title in 1974 as President of Atlantic Records . Atlantic Records President of Promotion Andrea Ganis Looks Back, and Ahead, at Her Legendary Career By Jem Aswad Courtesy of andrea ganis Few music industry vets approach the level of royalty. Sadi Koylan. [13] In its early years, Atlantic concentrated on modern jazz[11][14][3] although it released some country and western and spoken word recordings. That streak has continued over the years, particularly with the remarkably consistent current regime of co-chairs Craig Kallman and Julie Greenwald, who have steered the ship since 2004. He wore T-shirts reading "Atlantic Records sucks" while performing live and, in the music video for "White & Nerdy", he defaces Atlantic's article on Wikipedia, replacing the page with "YOU SUCK!" A few weeks later Brown's "Teardrops from My Eyes" became its first million-selling record. [1]. [26] He deleted the old '100' and '400' series of 10" albums and the earlier 12" albums in Atlantic's catalog, starting the '1200' series, which sold for $4.98, with Shorty Rogers' The Swingin' Mr Rogers. Atlantic also began to get recordings distributed in the United Kingdom, first through EMI on a 'one-off' basis. "Beyond the Sea" became Darin's fourth consecutive Top 10 hit in the US and UK. In addition, Mirage opened a subsidiary office in Jamaica with Stacy Greenberg as General Manager and an office in Las Vegas, NV. "Dream Lover" reached No. [5], Atlantic's New York studio was the first in America to install multitrack recording machines, developed by the Ampex company. Leiber and Stoller backed down, but the relationship ended anyway. Wexler sent Tom Dowd to upgrade Stax's recording equipment and facilities. Greenberg also has one granddaughter, Eden, Rainbow Bar & Grill Press Mention He had recommended moving the company's multitracks and unreleased recordings to the building after Ertegun had complained about the aforementioned tapes taking up too much space in the company's Manhattan offices in New York. By early 1980, when Collins was recording his solo album, the record industry was suffering greatly from the impact of the worldwide economic recession, and many labels were beginning to cull their rosters and drop acts that weren't providing major returns. The VP of Enabling Services aims to oversee Design, Build and Run aspects on his/her domain. He was funny, he was amusingbut he wasn't nice." In 1976, the label started focusing on disco and R&B. In 1969 Warner Bros.-Seven Arts was taken over by the Kinney National Company, and in the early 1970s the group was rebadged as Warner Communications. Bobby Darin's "Splish, Splash" was the first song to be recorded on an 8-track recorder. Kalodner built his reputation by signing acts that other labels had turned down, and perhaps the most significant example of his achievements in this area was his championing of the Anglo-American band Foreigner. No further albums were issued as the label lasted less than a year. In 1951, Atlantic was one of the first independent labels to press records in the 45rpm single format. [92], That year also saw Atlantic reach a milestone for major record labels. By the mid-1950s Atlantic had an informal agreement with the French label Barclay, and the two companies regularly exchanged titles, usually jazz recordings. [26], Beginning in 1954, Atlantic created or acquired several subsidiary labels, the first being Cat Records. Some acts on the Atlantic roster in this period were British (including Led Zeppelin, Genesis, Yes, Bad Company and Phil Collins) and this was largely due to Ertegun. The CEO and co-chairman of Warner Records (formerly Warner Bros. Records), he was previously the president of A&R at Interscope Geffen A&M and the senior vice president of A&R at Atlantic Records. They had hits with "Chapel of Love" by The Dixie Cups and "Leader of the Pack" by The Shangri-Las, but Red Bird's finances were precarious. 3 on the pop chart, selling over one million copies. 2), "Since You've Been Gone" (Soul No. During his tenure as president of several major labels, Jerry has signed such acts as ABBA, The Blues Brothers, Foreigner, Genesis, TS Monk, Whitesnake, Chic, Nile Rodgers, Dr. Dre & Eazy-E (Production Deal), Motrhead, Brownstone and 3T. Much of Atlantic's renewed success as a rock label in the late 1970s can be attributed to the efforts of renowned A&R manager John Kalodner. In addition to establishing Cotillion, Atlantic began expanding its own roster to include rock, soul/rock, progressive rock, British bands and singer songwriters. Despite the huge success Atlantic was enjoying with its own artists and through its deal with Stax, by 1967 Jerry Wexler was seriously concerned about the disintegration of the old order of independent record companies and, fearing for the label's future, he began agitating for it to be sold to a larger company. [19] The song reached No. It was groundbreaking., And although she may have blazed a trail as a female executive in the male-dominated world of promotion, for her its all about team success over individual success, in service of the artists. Wexler disliked him. 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In October 1967 Atlantic was sold to Warner Bros.-Seven Arts for US$17.5 million, although all the partners later agreed that it was a poor deal that greatly undervalued Atlantic's true worth. Satellite was renamed Stax after the owners, Stewart and Axton. Halifax, Nova Scotia, Canada. 1 on the Billboard R&B chart. Abramson had worked as a part-time A&R manager/producer for Al Green at the jazz label National Records, signing Big Joe Turner and Billy Eckstine. 1), "Baby, I Love You" (Soul No. "[58], The deal to distribute Satellite's "Last Night" by The Mar-Keys on the Satellite label marked the first time Atlantic began marketing outside tracks on a non-Atlantic label. Following his departure, Ertegunwho had previously taken little interest in Atlantic's business affairstook decisive control of the label[66] and quickly became a major force in the expanding Warner music group. Cotillion was also responsible for launching the career of Luther Vandross, who recorded for the label as part of the trio Luther. A subsidiary label, Atco, was established in 1955 to keep Abramson involved. Atlantic Records. Jerry Wexler said, "we're gonna put her back in church. [31] Ertegun and Wexler realized many R&B recordings by black musicians were being covered by white performers, often with greater chart success. On this Wikipedia the language links are at the top of the page across from the article title. 5[30] (although The Crew-Cuts' version went to No. Wexler had hired Greenberg and acted as his mentor, teaching him the daily operations of the record business. Spector became one of the most successful record producers of the 1960s. Atlantic's early stereo recordings included "Lover's Question" by Clyde McPhatter, "What Am I Living For" by Chuck Willis, "I Cried a Tear" by LaVern Baker, "Splish Splash" by Bobby Darin, "Yakety Yak" by the Coasters and "What'd I Say" by Ray Charles. [26], Nesuhi was also in charge of LP production. From 1970 it also distributed Embryo Records, founded by jazz flautist Herbie Mann after his earlier Atlantic contract had expired. At his urging, Greenberg visited the UK six or seven times every year in search of acts to sign to the label.[72]. In 1968 the label issued History of Rhythm and Blues, Volume 4 in stereo. MTB handled tribute bands Led Zepagain (Led Zeppelin tribute band), Rolling the Stones (The Rolling Stones tribute band), ABBACADABRA (ABBA tribute band), Bonfire (AC/DC tribute band), Bella Donna (Stevie Nicks tribute band), The Long Run (Eagles tribute band), Fan Halen (Van Halen tribute band) and others. It was not until the mid-1960s that multitrack recorders became the norm in English studios and EMI's Abbey Road Studios did not install 8-track facilities until 1968. After a stint at Infinity Records (They closed apparently Infinity wasnt forever, she cracks), Ganis arrived at Warner Musics Atlantic label and quickly became a legend at the company and within the industry. "I thought we were going to die", Wexler recalled. In September 1964, the Ertegun brothers and Wexler were in the process of buying out the company's other two shareholders, Sabit and Bienstock,[51] and it was proposed that Leiber and Stoller buy Sabit's shares. 9), "Respect" (Soul and Pop No. I posted something on my Instagram asking my followers to tag interesting locals. Atlantic Records has named Keith "Keefa" Parker Vice President of A&R. Based in Los Angeles, Parker most recently served as an executive producer on Roddy Ricch's breakthrough album, "Please. Websites. Lance Gross Dallas Martin, the Atlantic Records A&R executive whose successes include records by Roddy Ricch and Meek Mill, has been promoted to executive vice president of A&R at. Join to view profile Atlantic Records. 1988 - Greenberg was asked to return to Atlantic Records as President of Atco Records, which was Atlantic's other label based in California. During the previous year, 78s had outsold 45s by a ratio of two to one.[30]. The band was never even offered to them. Miriam Bienstock called him "a pain in the neck". The trio's unique vocal chemistry was instantly apparent, so when Nash quit the Hollies in August 1968 and relocated to Los Angeles, the three immediately formed a trio, Crosby, Stills & Nash. Previously, Irene was an A&R Administration at RCA Records and also held positions at SONY. [40], Atlantic played a major role in popularizing the genre that Jerry Wexler dubbed rhythm & blues, and it profited handsomely. Atlantic's regret was undoubtedly heightened when Gabriel achieved huge international success with his fifth album So (1986), which reached #1 in the UK and #2 in the US and sold more than 5 million copies in the US. Their assignment to work on The Drifter's next recording was given to Phil Spector. In the wake of the takeover, Jerry Wexler's influence in the company rapidly diminished; by his own admission, he and Ertegun had run Atlantic as "utmost despots" but in the new corporate structure, he found himself unwilling to accept the delegation of responsibility that his executive role dictated. The ideal candidate will develop new . In February 1953, Herb Abramson was drafted into the U.S. Irene Sourlis is a Vice President, A&R Administration at Atlantic Records based in New York, New York. [5] Stewart and Wexler hired Al Bell, a disk jockey at a radio station in Washington D.C., to take over promotion of Stax releases. . The trio was formed following a chance meeting between members of three leading 1960s pop groups Stephen Stills, David Crosby of The Byrds and Graham Nash of The Hollies. Greenberg served as President and CEO of MJJ Music from 1993 to 2000. The irony was further compounded by the fact that Gabriel scored a US #1 hit with the R&B-influenced single "Sledgehammer", which featured the legendary Memphis Horns, and which Gabriel later described as "my chance to sing like Otis Redding. 1957 - Gerald L. Greenberg from New Haven, CT formed his own band. Michael Kyser has been named the first-ever President of Black Music for the Atlantic Records Group. The label was originally formed as an outlet for blues and deep Southern soul; its first single, Otis Clay's version of "She's About A Mover", was an R&B hit. [5] Ertegun hired Billboard reporter Jerry Wexler in June 1953. For five years Atlantic "dominated the rhythm and blues chart with its roster of powerhouse artists". Mar Brown, Atlantic Records' senior vice president of urban radio promotion, passed away suddenly last night due to a heart attack, a representative for the label tells Billboard. By 1958, relations between Abramson and his partners had broken down; in December 1958 a $300,000 buy-out was arranged; his stock was split between Nesuhi Ertegun and Abramson's ex-wife Miriam, who had in the meantime remarried to music publisher Freddy Bienstock (later the owner of the Carlin Music / Chappell Music publishing empire). Ertegun and Wexler knew of the group's leader, Jimmy Page, through The Yardbirds, and their favorable opinion was reinforced by Dusty Springfield, who recommended Atlantic sign the band. But when Ahmet learned that Nesuhi had been offered a partnership in Atlantic's rival Imperial Records, he and Wexler convinced Nesuhi to join Atlantic instead. Despite all the resistance, Kalodner's belief in Foreigner was totally vindicated by the group's massive success their 1976 debut single "Feels Like The First Time" reached #4 on the Billboard singles chart, their self-titled debut album sold more than 4 million copies, and the subsequent singles from the album kept the group in the US charts continuously for more than a year. A few people had tagged him and I reached out to ask if he would be so kind to let me interview him. In 1956 he started the '8000' popular series (selling for $3.98) for the label's few R&B albums, reserving the 1200 series for jazz. in large type (which spawned copycat vandalism). 2, Pop No. Collins later commented, "We didn't use his version, but we knew what he was getting at. The building was purchased less than a week earlier and had been scheduled to reopen as a Nadler's Furniture Center, in an effort to revitalize the downtown area. Michael Kyser named President of Black Music at Atlantic in US February 3, 2011 By Music Business Worldwide Michael Kyser has been appointed as the first-ever President of Black Music for the Atlantic Records Group. Sill recommended Spector to Leiber and Stoller, who assigned him to produce "Corrine, Corrina" by Ray Peterson and "Pretty Little Angel Eyes" by Curtis Lee. "[79], Although his close friendship with Ertegun helped Collins launch his solo career, the fact that he eventually signed to Atlantic in the US was apparently as much by luck as by design. 2023 Variety Media, LLC. Jerry also introduced Mariah Carey to Tommy Mottola. Two of Atlantic Records' most accomplished A&R execs, Brandon Davis and Jeff Levin, have been promoted to Executive Vice Presidents and Co-Heads of Pop A&R for the company. 1974 - Ahmet Ertegun, now Chairman, announced Greenberg as President of Atlantic Records, making him the youngest president of a major record company at 32. He soon stopped when RCA signed Elvis Presley. They licensed the name from America's No. 5), and "Think" (Soul No. [89] Although Yankovic could have made the parody anyway, claiming Fair Use, his record label, Volcano Entertainment, thought it best not to "go to war" with Atlantic. February 4, 2011 2:39am. Initially, Atlantic and Atco operated entirely separately from the group's other labels, Warner Bros. Records and Reprise Records, and management did not interfere with the music division, since the ailing movie division was losing money, while the Warner recording division was booming by mid-1968 Warner's recording and publishing interests were generating 74% of the group's total profits.[63][64]. During his short time at Atlantic, Spector produced music for LaVern Baker, Ruth Brown, Jean DuShon, and Billy Storm. [70] Other releases that year include albums by Aretha Franklin (Soul '69), Led Zeppelin (Led Zeppelin), Don Covay (House of Blue Lights), Boz Scaggs (Boz Scaggs), Roberta Flack (First Take), Wilson Pickett (Hey Jude), Mott the Hoople (Mott the Hoople), and Black Pearl (Black Pearl).[70]. My early years began with the Rolling Stones, Bette Midler, Abba, AC/DC, Led Zeppelin, Genesis, Phil Collins, U2, Stevie Nicks and so many more, including songs that I forgot I promoted until I hear them in a store and point up and say, I worked that record!. [5], Although Leiber and Stoller wrote many popular songs for Atlantic, their relationship with the label was deteriorating in 1962. Ahmet Ertegun had first seen them perform in the Midwest on one of their early American tours, and it was on this occasion that he also became an ardent fan of their drummer/vocalist, Phil Collins. Over the course of two decades, starting from the release of its first recordings in January 1948,[3] Atlantic earned a reputation as one of the most important American labels, specializing in jazz, R&B, and soul by Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding. Atlantic was one of the first labels to record in stereo; many of the tapes that were lost were stereo 'alternates' recorded in the late 1940s and 1950s (which Atlantic routinely taped simultaneously with the mono versions until the 1960s) as well as almost all of the 8-track multitrack masters recorded by Tom Dowd in the 1950s and 1960s. Fate intervened during the Hollies US tour, when Nash reunited with Crosby and met Stephen Stills (ex-Buffalo Springfield) at a party at the Los Angeles home of Cass Elliott in July 1968. Although Leiber considered dropping the matter, Stoller pressed Atlantic for payment. WEA was also used as a label for distributing the company's artists outside North America. He had more hits than George Martin and Phil Spector combined. Stills and Crosby had been friends since the early 1960s; Nash had first met Crosby in the mid-1960s when The Byrds toured the UK, and he renewed the friendship when The Hollies toured the US in mid-1968. The audit revealed Leiber and Stoller had been underpaid by $18,000. The announcement was made today by Atlantic Chairman/COO Julie . Atlantic missed an important signing in 1955 when Sun owner Sam Phillips sold Elvis Presley's recording contract in a bidding war between labels. Although Ertegun had been forced into accepting the sale, he turned the situation to his advantage. 3 in September 1952, and "Mama, He Treats Your Daughter Mean" with Connie Kay on drums reached No. Two female artists were personally signed by Wexler, with album releases in 1969, Dusty Springfield (Dusty in Memphis)[67] and Lotti Golden (Motor-Cycle),[68] although Golden also had a close working relationship with Ertegun, who was instrumental in her signing with the label. Juliette Jones of Atlantic Records is a self-proclaimed "accidental executive.". Greenberg was then signing artists and overseeing the company on a daily basis. [48] When Spector criticized Bobby Darin's songwriting, Darin had him thrown out of the house. Both became hits, and Atlantic hired him as a staff producer. The sale of Atlantic Records activated a clause in the distribution agreement with Stax Records calling for renegotiation of the distribution deal and at this point, the Stax partners discovered that the deal gave Atlantic ownership of all the Stax recordings Atlantic distributed. From this point, and notwithstanding the impact of the punk/new wave movement in the late 1970s, the band enjoyed an extraordinary run of successbeginning with their fourth album Fragile, each of the eleven albums they released between 1971 and 1991 (including the lavishly packaged live triple-album Yessongs) made the Top 20 in the US and the UK, and the double-LP Tales of Topographic Oceans (1973) and Going For The One (1977) both reached #1 in the UK. He currently sits on this Board as the Chairman of the Compensation Committee. [17] Atlantic's fortunes rose rapidly: 187 songs were recorded in 1949, more than three times the amount from the previous two years, and received overtures for a manufacturing and distribution deal with Columbia, which would pay Atlantic a 3% royalty on every copy sold. In 1990 he and Ertegun disputed the content of Charles's contract, which caused a rift. In July 1954, Wexler and Ertegun wrote a prescient article for Cash Box devoted to what they called "cat music"; the same month, Atlantic had its first major "crossover" hit on the Billboard pop chart when the "Sh-Boom" by The Chords reached No. [35] Nesuhi became head of artists and repertoire (A&R),[31] led the label's jazz division, and built a roster that included Shorty Rogers, Jimmy Giuffre, Herbie Mann, Les McCann,[5] Charles Mingus, and John Coltrane. Wexler ultimately decided to leave New York and move to Florida. [5], In early 1949, a New Orleans distributor phoned Ertegun to obtain Stick McGhee's "Drinking Wine, Spo-Dee-O-Dee", which was unavailable due to the closing of McGhee's previous label, Harlem Records. There are so many artists Ive been lucky to be involved with, and I love breaking music from so many different genres, she says, launching into a long list that includes INXS, Stone Temple Pilots, Hootie and the Blowfish, Jewel, Matchbox 20, Skid Row, Brandy, Kid Rock, Tori Amos, En Vogue, Aaliyah, and of course our current super-bigs, Bruno Mars, Ed Sheeran, Cardi B, Coldplay, Lizzo, not to mention this years chart goliath, Roddy Ricch. [59], Atlantic began pressing and distributing Stax records. Acceding to Ertegun's demand, Collins took the unusual step of overdubbing extra drums on the finished master tape, and he later commented, "He (Ertegun) was quite right. His death was confirmed by the coroner's office, Pacific Attorney Group. [52], Atlantic was doing so well in early 1959 that some scheduled releases were held back, and the company enjoyed two successive months of gross sales of over $1 million that summer, thanks to hits by The Coasters, The Drifters, LaVern Baker, Ray Charles, Bobby Darin, and Clyde McPhatter. Amp ; R Administration at RCA Records and also held positions at Sony 1957 - Gerald L. from! And distributing Stax Records President of Black Music for the label lasted less than year! And CEO of MJJ Music from 1993 to 2000 contract had expired band... Daily basis 1976, the label as part of the house him thrown out the. 4 in stereo Manager and an office in Las Vegas, NV press Records in the 45rpm single format Ruth. Bill Haley & his Comets 's version reached No label lasted less than a.... To tag interesting locals Greenberg served as President and CEO of MJJ from! The previous year, 78s had outsold 45s by a ratio of two to one. [ ]! 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atlantic records vice president of a&r